The Our Stories of Slavery events programme ran from May to October 2007, co-ordinated by the Arts Development team at Aberdeen City Council. The project examined all aspects of Aberdeen's links with slavery and the transatlantic slave trade, including the role of Aberdonian landowners as slave owners, as well as the impact of Aberdonians as abolitionists, such as the roles played by James Beattie and James Ramsay.

One focus of the project was on the role of Aberdonian magistrates in kidnapping children from the City and Shire and selling them into indentured service to plantation owners during the 18th century. Peter Williamson, known as 'Indian Peter', was one of up to 700 kidnapped in Aberdeen between 1735 and 1750. The project used his story, with archives at the University of Aberdeen, in a range of activities including storytelling, re-enactments, film making, workshops, creative writing and craft workshops. Kidnapped was a re-enactment set in and around The Tolbooth (Aberdeen's Museum of Civic History). In collaboration with artist Chris Biddlecombe, community knitting circles created 'Cast-offs', exhibited at Aberdeen's Kirk of St Nicholas, whereby an installation of 600 knitted jumpers represented the abducted children.

To mark the bicentenary, the National Trust for Scotland put together a wide-ranging programme of events to engage their audiences with Scottish connections to slavery and abolition. Three National Trust for Scotland properties in the West of Scotland – Culzean Castle, Brodrick Castle and Greenbank House – illustrate the ways in which Scotland was involved in the transatlantic slave trade. A touring exhibition based on this new research was shown at these sites and others in the West of Scotland. The Beckford Collection of furniture, silver and China at Brodrick Castle, on the Isle of Arran, once belonged to William Beckford, owner of several sugar plantations in the West Indies. Scipio Kennedy from ‘Guinea’ lived at Culzean Castle, Ayrshire, from 1710, first as a slave and then as a paid servant. The Allason brothers of Greenbank House were traders in tobacco and slaves. David Livingstone spent much of his life campaigning against the slave trade based in East Africa. His work is remembered at the David Livingstone Centre in Blantyre.

The 2007 Learning Programme involved workshops for local community groups and a resource pack for teachers and youth leaders. Events included a celebration of Scottish and African culture at the David Livingstone Centre; a survey and excavation in search of the ex-slave Scipio Kennedy’s home in the grounds of Culzean Castle; and a Commemoration Service arranged in partnership with Action of Churches Together in Scotland (ACTS).

An exhibition developed by Cromarty Courthouse Museum in the Scottish Highlands recording the role of Highland Scots in the slave trade and slave plantations of the Caribbean and South America and, in particular, British Guiana. The striking illustrations were by John McNaught. The exhibition told individual stories of Scottish merchants, plantation owners and their slaves, such as a slave called Inverness, bought, sold, exploited and hunted as a runaway by Scots in Demerara. It also looked at the freed slaves who found a place in Scottish society. Connected to this project was the placing of a plaque in the former Royal Northern Infirmary (now the executive office of the University of the Highlands and Islands). It remains one of the few acknowledgements of the use of profits from the slave plantations to fund charitable public institutions, and the only known one in Gaelic.

Myrtilla’s Trail was developed at Leamington Spa Art Gallery & Museum in partnership with poet Brenda Tai Layton, using objects, images and texts to explore local links with the slave trade. Myrtilla, 'Negro slave to Mr Tho. Beauchamp', is buried in the village of Oxhill in Warwickshire. Apart from her gravestone (dated 1705), she remains anonymous. Warwick District has connections with slave owners, such as the Greatheed family of Guy's Cliffe, sugar plantation owners in St Christopher (St Kitts). This trail around the galleries offered a starting point for exploring these complex and often hidden histories, including busts and documents of the Greatheed family, abolitionist coins, protest songs, and travel posters.

A touring exhibition from Herefordshire Museums, which explored Herefordshire's hidden history of slavery. Local connections include Moccas Court near Hereford, the country house once home to the Cornewall family, owners of a sugar plantation on Grenada at the time of the Grenadian uprising of 1795. Another county connection to the history of slavery is Lady Hawkins' School in Kington, the construction of which was bequeathed in 1632 by the widow of Sir John Hawkins, England's first slave trader. The nineteenth-century poet and abolitionist Elizabeth Barrett Browning also had family connections in Herefordshire. The exhibition was taken on tour around Herefordshire and Warwickshire on a specially commissioned Abolition Bus.

This exhibition and booklet were produced as part of South Gloucestershire's Engage 2007 project, in partnership with Yate and District Heritage Centre. Both the exhibition and booklet explored local connections with the history of slavery and anti-slavery in South Gloucestershire. Links identified included the career of Robert Jenkinson of Hawkesbury (later Prime Minister Lord Liverpool), the Caribbean plantations of the Codrington family, the campaign efforts of abolitionist Joseph Sturge and, looking further back in history, St Wulfstan's attempts to abolish the trade in slaves to Ireland in the 11th century. The booklet was written and edited by Lorna Brooks and David Hardill. The exhibition toured the local area, including Thornbury and District Museum, pictured here.

Set All Free: ACT TO END SLAVERY was a project of Churches Together in England, based in London. It was also a collaboration between church-related groups, societies and organisations around the UK working together with a Christian ethos to assess the relevance of the bicentenary, and in particular the legacies of slavery. The project aimed to highlight how the values of the abolitionists can transform relationships on an individual, community and society level. The project included building a network coalition, campaigning, producing research and resources for churches, schools and individuals. Set All Free also worked closely with Anti-Slavery International and Rendezvous of Victory, a leading African community-led organisation.

This project was a collaboration between the Dales Countryside Museum in Hawes and North Yorkshire Record Office to research people and places of the Yorkshire Dales connected with Africa, the Caribbean and India. 'Hidden History' collected local stories of slave owners and traders, abolitionists, Africans and Asians who moved to the Dales, and others like the actor Ira Aldridge who passed through. The project included various community activities. Working with actor Joe Williams, pupils from the Wensleydale School explored the life of Olaudah Equiano and performed alongside Joe at the exhibition opening. There were drop-in sessions on exploring family history, carnival costume making, talks and music. The exhibition toured to other locations in Yorkshire, including Boroughbridge Library. The Dales Countryside Museum has continued to collect information relating to individuals who were connected with the Yorkshire Dales and the wider world.

Cambridge University Library held a small exhibition in 2007 showcasing its collections of rare books and manuscripts relating to slavery and abolition. These include records of the Greg family, who owned a sugar plantation in Dominica, and documents relating to slave compensation for the West India colonies. Other records held by the library relate to British Quakers, the abolition campaign, and the persistence of slavery in the 20th century and into the present day.

Gentlemen Slavers was a project to explore the connections between the transatlantic slave trade and the London Borough of Sutton, particularly through the activities of one family – the Taylors of St Kitts. George Taylor, and later his brother John, lived on the Carshalton Park estate, funded by a family fortune made on slave-worked sugar plantations on the islands of St Kitts and Nevis. The project also looked in detail at the story of Samuel Mudian, a black man who worked at Carshalton Park as a butler for George Taylor, and likely a native of St Kitts. The project consisted of an exhibition, booklet, education pack and activity sheets.

An exhibition which explored the connections between the Isle of Man and the transatlantic slave trade between 1718 and 1807, as shown in assorted archives. Mounted in the Lower Folklife Gallery at the Manx Museum, the display revealed evidence of Manx captains, officers and crew recorded on slaving ships in the Port of Liverpool muster rolls or in probate records. Documentation shows Manx merchants dealing in ‘Guinea goods’ and investing in trading voyages; also Manx people part-owning or managing plantations in the Americas. The title quote was taken from the memoirs of Manxman Captain Hugh Crow, published posthumously in 1830. Crow wrote, ‘I have viewed the abstraction of slaves from Africa to our colonies as a necessary evil, under existing circumstances’. In July 1807 the last legal slave voyage for an English vessel began from Liverpool. Crow, aboard 'Kitty’s Amelia', took command en route to Bonny.

Human Cargo was a partnership project between Plymouth City Museum and Art Gallery, and the Royal Albert Memorial Museum, Exeter. The project consisted of two main components. The first was a historical exhibition, which explored the development of the transatlantic slave trade and, in particular, the role of Plymouth as a port, the involvement of the City's dignitaries and the South West's links with the abolition movement. The second part was a contemporary art response to modern forms of slavery and historical legacies, including the flower picking trade, sweatshop labour and the Fair Trade Movement. This work was newly commissioned and included audio visual pieces, installations, hand-printed wallpaper and participatory objects. A variety of events and activities took place alongside the exhibition including education workshops, performances, African music and storytelling activities, and Elizabethan House re-enactment sessions.

This exhibition from Reading International Solidarity Centre (RISC) in collaboration with local communities uncovered Reading’s links with the slave trade, the campaign for its abolition and its aftermath. Exploring Reading’s involvement in historical slavery and the impact on the town’s development, the exhibition focused on, for example, wealthy families in the area, the role of the Royal Berkshires in Caribbean colonies, and the story of Mary Smart, the earliest known Sierra Leonean resident in Reading. The project also sought to raise awareness of modern forms of slavery and injustice. It included workshops, a conference, and a quiz.