The Adventures of Ottobah Cugoano is a book written for young readers, written by Marcia Hutchinson and Pete Tidy, and published by Primary Colours as part of the Freedom and Culture 2007 initiative. Ottobah Cugoanao was an African abolitionist, captured in 1770 in Fante (present-day Ghana) and sold into slavery. He was eventually made free and baptized John Stuart in London. Stuart became active in Sons in Africa and through his publications campaigned for abolition. A Key Stage 2 and Key Stage 3 Teaching Pack was produced to accompany the adventure story, written by Marcia Hutchinson, Pete Tidy and Shazia Azhar, with a foreword by David Lammy MP.

The official publication from the British Government in response to the bicentenary included a message from Prime Minister Tony Blair. It set out the history of transatlantic slavery and resistance to it, and featured a calendar of upcoming events for 2007 relating to slavery and abolition. The publication also detailed contemporary efforts to end modern slavery. Later in 2007, 'The way forward: bicentenary of the abolition of the Slave Trade Act 1807-2007' reflected on some of the commemorative activity that had taken place in Bristol, Hull, Liverpool, London and Greater Manchester. With a foreword by the new Prime Minister, Gordon Brown, the theme of the publication was 'Reflecting on the past, looking to the future' and it linked efforts for the abolition of historical and contemporary slavery. The publication also looked to how to tackle inequality and poverty in the UK, Africa and the Caribbean.

This online exhibition and learning resource linking the history of transatlantic slavery to North East Scotland was organised by an Aberdeen and Aberdeenshire Bicentenary Committee, including representatives from Aberdeenshire Council, Aberdeen City Council, the University of Aberdeen, the Robert Gordon University and the African and African-Caribbean communities. It followed on from a service of commemoration and a series of public lectures sponsored by the Committee in 2007. The exhibition logo is inspired by the mythical Sankofa bird, a cultural symbol of the Akan-speaking peoples of Ghana in West Africa. Featured here are a number of resources available to download from the North East Story website.

An exhibition by the City of Westminster Archives Centre focused on the impact of the transatlantic slave trade and its abolition in Westminster, which drew on the Centre's archives and local studies collections. Links explored included the parish of St Anne's Westminster with St John's Antigua, and the large circle of planters living in Marylebone in the 18th and 19th centuries. The exhibition also documented the lives of the African residents of Westminster during the age of the slave trade. Some of the individuals looked at in the exhibition included James Somerset, Granville Sharp, Ignatius Sancho, Ottobah Cugoano, Olaudah Equiano, and the African activists who styled themselves 'Sons of Africa'.

An exhibition held in the Special Collections Gallery at the Hartley Library, University of Southampton. The exhibition took a broad view of the subject of transatlantic slavery across the 18th and 19th centuries, featuring accounts of the horrors of the transatlantic slave trade, the case for abolition, and contemporary tracts and pamphlets putting forward the arguments for total abolition. Alongside these were discussions of the place of slavery in the economy of the West Indies, and the detail of measures taken by governments, such as that of the first Duke of Wellington in 1828-30, and the work of the third Viscount Palmerston, as Foreign Secretary and Prime Minister. The exhibition also looked at the efforts of the Royal Navy to enforce legislation and treaties against slave trading.

This small exhibition at Norwich Castle was part of the Norfolk's Hidden Heritage project. It included portraits of Norfolk-based Thomas Fowell Buxton, who was instrumental in the cause for abolition of British colonial slavery, and Amelia Opie, Norwich poet, author and anti-slavery campaigner. The exhibition also featured rare decorative items from the Castle collections relating to the consumption of tea and sugar, and 18th century books loaned by the Norfolk Heritage Centre. An events programme included lunchtime gallery talks and school activities.

The Buxton Memorial Fountain was built by Charles Buxton to celebrate the Slavery Abolition Act of 1833 and the achievement of his father, the abolitionist Thomas Fowell Buxton, and his associates who led the parliamentary campaign to abolish slavery. The memorial fountain was built in Parliament Square in 1865-6, and re-erected in Victoria Tower Gardens, Westminster, in 1957. Following extensive restoration by The Royal Parks, the memorial was unveiled on 27 March 2007, to mark the bicentenary. The listed monument was also upgraded from Grade II to II* in 2007.

York Castle Museum's Unfair Trade exhibition used the museum's collections to explore slavery from the viewpoint of ordinary people, and how consumption of slave-produced everyday commodities - sugar, tea, coffee, cocoa - contributed to the slave trade. It also looked at the part played by York in the abolition of the slave trade and slavery, with the many Quakers of the city supporting William Wilberforce and helping to finance his election campaign. The exhibition continued the focus on consumption into modern life by asking visitors to consider where the products they buy come from. York Castle Museum features a recreated Victorian street, Kirkgate, with its own newspaper, 'The Kirkgate Examiner'. A special edition was distributed to coincide with the exhibition.

In collaboration with the Peterborough branch of the African Caribbean Forum, Peterborough Museum hosted 'Beyond the Bicentennial, 1788-1838: Exploring 50 Years of the Slave Trade'. The exhibition's focus was the fifty years leading up to the end of slavery in the British Empire, 1833. It highlighted museum objects and local connections to the era of abolition, including black communities in Peterborough and links between slave-produced sugar and the rise of tea drinking in Georgian Britain. Two special event days included Georgian period re-enactors, historical talks on slavery, African drumming workshops, African food tasting and community displays.

The Anti-Slavery Arch in Stroud is Britain's oldest anti-slavery memorial. It was built by Henry Wyatt in 1834 to celebrate the passing of the Abolition of Slavery Act of 1833. A local businessman and supporter of the Stroud Anti-Slavery Society, Wyatt built the arch as an entrance to the carriage drive of his private estate. Established in 2000, the 'Anti-Slavery Arch Group' raised funds to address the preservation needs of the arch. This community project carried out major stone repairs, added a bronze plaque, produced a leaflet and website, and wrote and performed a play with students from Archway School (built on the site of Wyatt's mansion in the 1960s). In 2007, the monument was upgraded from a Grade II listing to Grade II*.

Breaking the Chains opened at the British Empire and Commonwealth Museum to coincide with the bicentenary, and told the story of the British transatlantic slave trade and its abolition. Developed in partnership with Bristol City Council's Museums, Galleries and Archives' Service, the exhibition used artefacts, film and testimony to challenge perceptions about Britain's involvement in the slave trade and its legacy today. It featured a multimedia gallery of digital memories and feelings on the contemporary legacies of the slave trade; interactive sound stations to see and hear personal testimonies and the power of black music; and the ‘Me deya’ gallery, led by Firstborn Creatives, a collection of work from artists and communities who wished to share their creative pieces about the legacies of the slave trade. Associated events included African music for children, community dance events and public debates.

This collaborative community initiative celebrated African and Caribbean culture in Leeds, with a focus on commemorating the Abolition Act by 'highlighting African achievement, liberation and aspirations'. New exhibitions, publications and resources were produced and over 100 bicentenary events organised under different themes: Education and Museums; Arts and Carnival Culture; Churches and Abolition; Legacy; Black History and Community Development; Media and Communications. Highlights included the photographic exhibition and pamphlet 'From Abolition to Commonwealth', which remembered indentured labour in Africa and the Caribbean after 1807, and the 40th anniversary of Leeds West Indian Carnival, with themes that highlighted heritage, liberation, respect and freedom. Project outputs included an education pack, black history classes, concerts, church services, lectures and performances.