The Museum of Modern Day Slavery opened in 2014. It is managed by Elijah Rising, a prayer gathering that aims to end sex trafficking through prayer, awareness, intervention, and restoration. The museum is a big part of that mission and is housed in a former brothel that Elijah Rising negotiated the closure of in 2012. It is the only museum in the USA dedicated solely to interpreting and raising awareness for slavery in the present day.

The location of the museum provides visitors with a rare opportunity to see inside a brothel. Throughout, there is text interpretation that provides information about sex trafficking in Houston. This is supported by a small collection of artefacts that have been collected by the museum's staff and volunteers when conducting field research with victims of trafficking in the city. The museum also draws attention to the victories of abolitionists in the past through text panels to inspire visitors to take action to end slavery in the present.

'House Slave - Field Slave: A Portrait of Contemporary Slavery' was created in 2007 by Nicola Green in collaboration with Anti-Slavery International and first exhibited at Dulwich Picture Gallery. The artwork explored the concept of contemporary slavery and the stories of those still enslaved. The exhibition consisted of a large 'altarpiece' scale triptych set alongside artefacts of contemporary slavery from the International Slavery Museum and photos and text from Anti-Slavery International. It was later exhibited as part of Haringey's Black History Month at Bruce Castle Museum in 2010. The triptych is now in the permanent collection at the International Slavery Museum in Liverpool. Workshops were held at Dulwich Picture Gallery, The Prince’s Drawing Clubs, and International Slavery Museum in which students developed their skills in reading a work of art as a narrative, and responded by creating artworks that told their own personal story.

The National Underground Railroad Freedom Centre opened in August 2004 and has since strived to tell the stories of those who have fought for freedom from the Underground Railway to the present day in the hope of challenging people’s ideas about inclusivity and freedom. The museum also aims to encourage and inspire people to promote and work towards freedom. Its position next to the Ohio River is a poignant reminder of its purpose as this river separated the southern slave states from the free states of the North. The National Underground Freedom Centre examines America’s heritage alongside discussions of contemporary slavery and human trafficking. It also forms part of a group of 'Museums of Conscience' alongside three others across the United States, including the United States Holocaust Memorial Museum. The National Underground Railroad Freedom Centre reveals stories about freedom’s heroes: the men, women and children who challenge inequities to pursue greater freedom for their brothers and sisters. Through a series of rolling ‘special exhibitions’ and its vast collections displayed in several permanent exhibition spaces, the museum highlights the long history of enslavement in America, and its continuing legacy in the modern world.

The centre's most significant artifact is an original slave pen (or prison) originally built in 1830, and thought to be the only surviving example in the world. Visitors can walk through the pen and see some of the names of the people who were once held there. Alongside the pen, which is housed in its own exhibition space on the museum's second floor, there is a permanent exhibition, 'From Slavery to Freedom.' This exhibition covers three hundred years of slavery from its introduction to the Americas to its abolition. 'From Slavery to Freedom' is funded by the Oprah Winfrey Foundation and features a range of collections, including artefacts, archaeological specimens and paintings.

The centre also houses the 'world's first museum-quality, permanent exhibition on the subjects of modern-day slavery and human trafficking'; 'Invisible: Slavery Today' uses the experiences of five individuals who have been caught up in different forms of contemporary slavery and exploitation to highlight the issue in the modern world, as well as including examples of modern antislavery work around the world.

The centre also contains examples of interactive exhibits, with films, hands-on activities and live gallery talks, aimed at providing their visitors with a multi-sensory experience.

In the heart of downtown Doha, Bin Jelmood House forms one quarter of a new museum development, opened in 2015. The museum is located in a historic house in the Heritage Quarter of Msheireb Properties large development and forms an integral part of the city's regeneration project. It is the first museum to focus on slavery in the Arab world.

The aim of Bin Jelmood House is to raise awareness of human exploitation and to play a pivotal role in its abolition. It also provides a space for reflection on the continuing struggle and perseverance of different groups around the world, as well as acknowledging the long role that enslaved people have played in society, economically, socially and culturally.

The displays take the visitor back in time to discover how slavery has spread and developed over thousands of years. Visitors can engage with the stories of the origins, ‬capture, ‬transportation and daily tasks of the people who served in bondage, specifically those who did so across the Indian Ocean. The museum also examines the role that Islam has played in the treatment of enslaved people and their eventual emancipation. ‬

Birmingham Museum and Art Gallery has over forty display galleries that explore the development of Birmingham as a city, through its diverse communities. Since opening in 1885, the museum has built a vast collection of social history, art, archaeology and ethnographic items. It is one of nine sites managed by Birmingham Museums, the largest museums trust in the UK, whose vision for their service is, ‘to reflect Birmingham to the world, and the world to Birmingham.’ Housed within Birmingham's council buildings in the city's Chamberlain Square, the site welcomes around one million visitors a year.

Slavery and abolition feature as themed displays within the ‘Birmingham: Its People and Its History’ gallery, which dominates the third floor of the Victorian museum. Initially developed as part of the 2007 bicentennial commemoration activities, the displays highlight the contradictory nature of Birmingham’s relationship with the slave trade. Visitors are informed, through both interpretive text panels and collections artifacts on display, about the goods manufactured in Birmingham that were taken to Africa to trade in exchange for human beings. Simultaneously, the presence of antislavery activists in the city is explained, with digital interactives, portraits and abolitionist material culture all illustrating the role of Quakers and other prominent abolitionist figures, including Joseph Sturge and Olaudah Equiano.

The displays also alert visitors as to the existence of modern slavery by a panel headed with the words, ‘Around the world, people are still enslaved today.’ The visitors are then invited to leave their own comments as to how society can help to stop it in their community and around the world.

Wilberforce House Museum is one of the world's oldest slavery museums. It opened in 1906 after the building, the house where leading abolitionist William Wilberforce was born, was bought by the Hull Corporation to preserve it for reasons of learning and of civic pride. Initially a local history museum, at the centre of Hull's historic High Street, the collections soon expanded through public donations and, unsurprisingly, these donations focussed heavily on items relating to Wilberforce. Today the museum and its collections are owned by Hull City Council and managed by Hull Culture and Leisure Limited. It forms part of Hull's 'Museums Quarter' alongside museums on transport, local social history and archaeology. In addition to the Wilberforce displays, the museum also features period room settings, silver, furniture and clocks, as well as a gallery exploring the history of the East Yorkshire Regiment.

The galleries at Wilberforce House Museum tell many different stories. An exploration of the history of the house welcomes visitors into the museum, followed by displays about William Wilberforce from his childhood, to his work and his family life. These galleries have examples of costume, books, domestic items and even the 1933 Madame Tussauds wax model of Wilberforce himself. Up the grand cantilever staircase, installed by the Wilberforce family in the 1760s, the displays continue. Here they look at the history of slavery and the origins of the British transatlantic slave trade. One gallery contains items that illustrate the richness of African culture prior to European involvement, dispelling the traditional myth that Africa was empty and uncivilised before the intervention of the Western world. Following that, the exhibition narrative goes on to look at the process of enslavement, the logistics of the trading system, the Middle Passage and slave auctions. Again, a wide range of collections are used to illustrate the informative panels. This is repeated in the displays about plantation life and resistance.

Of course no museum about William Wilberforce would be complete without an exhibition on antislavery and the abolition movement. This is extended with two galleries which look at the legacies of such a campaign in terms of modern slavery and human rights today. There are opportunities in these galleries for visitors to provide their comments and opinions, through several interactives, as well as engage with ideas as to how they can actively participate in today's campaign to end modern slavery.

The International Slavery Museum (ISM) is the first museum in the world to focus specifically on slavery, both historical and modern. Managed by National Musuems Liverpool, it opened to great acclaim in 2007 and has since welcomed over 3.5million visitors. Through its displays and wide-ranging events programme, the ISM aims to tackle ignorance and misunderstanding in today’s society by exploring the lasting impact of the transatlantic slave trade around the world. On entering the ISM, visitors immediately arrive in a space designed to provoke thoughts and discussion- the walls are etched with powerful quotations from historical figures and contemporary activists, many from the African diaspora. There is a display of West African culture, designed to showcase the breadth and depth of African civilisation before the devastation caused by the transatlantic slave trade, which includes examples of textiles, musical instruments and other ethnographic material. The display then goes on to look at the trade itself; the logistics, the processes and who benefitted on one hand, whilst also exploring the experience of the enslaved through multisensory interpretive techniques, including an emotive film of what the Middle Passage may have been like. All of these displays are supported by the rich, local archival collections, drawing on Liverpool’s own history as a prosperous, slave-trading port. Moving forward along a chronological timeline, the exhibition then covers abolition, significantly beginning with the acts of resistance from the enslaved themselves, through to organised abolition movements and then discussing the continued fight for freedom through the post-emancipation then civil rights era, right into the twenty-first century. The lasting legacies of the trade are thoroughly examined, from racism and the under-development of African countries, to the spread of African culture and diverse nature of Liverpool’s communities. A unique feature of the ISM is its ‘Campaign Zone’, opened in 2010, which houses temporary exhibitions just off the main gallery space. These are frequently run in conjunction with campaign organisations and usually focus on aspects of modern slavery, highlighting to visitors that it is very much still a live issue and not one that has been relegated to history. Recent exhibitions in this space have included 'Broken Lives' organised with the Daalit Freedom Network and 'Afro Supa Hero' with artist Jon Daniels.

'House Slave - Field Slave: A Portrait of Contemporary Slavery' by Nicola Green was first exhibited at the Dulwich Picture Gallery in October 2007. It was then exhibited as part of Haringey's Black History Month at Bruce Castle Museum in October - December 2010. Nicola's triptych is now in the permanent collection at the International Slavery Museum in Liverpool.

Nicola Green's portrait of contemporary slavery 'House Slave - Field Slave' was made for and in collaboration with Anti-Slavery International to commemorate the anniversary of the abolition of the slave trade in 2007. The exhibition consists of a large 'altarpiece' scale triptych with preparatory studies. These are set alongside artefacts of contemporary slavery from the International Slavery Museum in Liverpool and the extraordinary photos and text from Anti-Slavery International, which inspired this work. The painting tells the story of contemporary slavery. There are an estimated 12 million people in the world today who are still enslaved - even though the British slave trade was abolished 200 years ago.