The National Civil Rights Museum is housed in the Lorraine Motel, where civil rights leader Dr. Martin Luther King Jr. was assassinated on 4 April, 1968. It was founded in 1991 with the mission of sharing and raising awareness about the lessons and legacies from the Civil Rights Movement. The museum makes use of historic collections and a range of interactive exhibits, including film and audio, to tell these stories. Recently renovated in 2013-14, the museum is one of the top rated by the American Alliance of Museums and was a founding member of the International Coalition of Sites of Conscience.

The museum has five permanent exhibitions that include 260 artefacts, 40 film installations, oral histories and interactive media to guide visitors through five centuries of history. The exhibitions explore Civil Rights protest techniques- including sit ins, bus boycotts and freedom rides- as well as the Black Power movement and the assasination of Martin Luther King Jr. and its aftermath on the Civil Rights movement.

The first exhibition that visitors enter explores the longer 'Culture of Resistance' that was present in the United States prior to the Civil Rights movement, as seen through resistance to the system of slavery that dominated the country for centuries. Focussing on the period 1619-1869, the exhibition includes large scale interactive maps that emphasise the global impact of the transatlantic slave trade. There are films and art installations in the form of sculptures that show the terrible conditions inflicted on the enslaved people. Illuminated channels provide statistics and further information, including the number of people captured, goods cultivated and wealth created.

The museum also has facilities for temporary exhibitions, both on the site and online, and runs an immersive education programme for both children and adults.

Situated in Winnipeg, at the heart of the Canadian Prairies, the Canadian Museum for Human Rights is the first museum in the world solely dedicated to the past, present and future of human rights. The museum aims to create inspiring interactive experiences for its visitors in order to equip them with the tools needed to make a difference in the lives of others. It is the first museum in nearly five decades to be built outside Canada's National Capital Region, with funding from the Canadian government, after being established by legislative amendments to the Museums Act in 2008. The museum's building was purpose-built, designed to reflect the themes of the museum in the external construction, with a Hall of Hope built in luminous alabaster and outside glass wings surrounding the building represent a dove as a symbol of peace.

The Canadian Museum for Human Rights has ten core galleries as well as two spaces for temporary or travelling exhibitions. All of the displays within the museum feature diverse aspects of human rights. These include: a discursive introductory display about what human rights are, a gallery that explores the perspectives of indigenous Canadian people, and an exhibition that focusses on the stories of Canadian individuals or groups that have had their own 'journeys' with human rights challenges. Another exhibition features an overview of Canada's legal stance on human rights. Other galleries explore human rights from a more global perspective, looking at the Holocaust, other instances of genocide around the world and 'Turning Points' that have marked key changes in international human rights policy. The later galleries on the visitor route explore human rights in the present and their potential in the future, challenging visitors to take action and inspire change. All of these galleries feature the use of digital interactives, film and audio presented from lots of different perspectives, often providing the visitor an opportunity to actively participate with the theme of the exhibition. Built without a collection, the museum has filled its galleries with objects on loan from organisations around the world, both in Canada and abroad. They also have objects donated to them from the people and groups the galleries represent. The museum also has a Tower of Hope that visitors can go up, with views over the city, and an indoor garden of reflection.

The Transatlantic Slave Trade is cited as the first instance of genocide in world history in the 'Breaking the Silence' gallery which explores the role of secrecy and denial in the persecution of genocide and what happened when people spoke out or offered resistance. The centre-piece of the gallery is an interactive table that shows instances of genocide, both through time and across the world, alongside related documents and images. The 'Canadian Journeys' gallery incorporates the narrative of enslaved Africans using the Underground Railroad to escape to freedom in Canada. There are also narratives of more contemporary forms of slavery and human trafficking. Narratives of enslavement have also featured in public programmes at the museum.

The museum is located on Gorée Island, 3 km off the coast of Senegal. The structure was built in 1776 as a holding centre for Africans waiting to be exported across the Atlantic. It was converted into a museum and memorial in 1962. According to the original curator of the museum, Boubacar Joseph Ndiaye, the island played a pivotal role in the containment and transportation of slaves to America during the transatlantic slave trade. The aim of the museum and memorial is to help its visitors come to terms with the extent of the transatlantic slave trade and the effects of the trade on Africa and its people. It was designated a UNESCO world heritage site in 1978.

The content of the museum includes murals and artwork showcasing traditional African techniques, and depicting the process of enslavement. There is also a variety of objects such as chains, manacles, and cages which emphasise the brutal nature of slavery. The site itself is accessed via a ferry and the tourism industry of nearby Dakar is linked closely with the island. The key voices addressed within the museum are those of the enslaved; the museum brings visitors into close approximation with the living conditions faced by the enslaved during the transatlantic slave trade. One of the most poignant features is the 'Door of No Return' which is said to be the point where enslaved Africans were boarded onto ships ahead of the Atlantic voyage.

The museum was founded in 1984 by Dr James Cameron, a self-taught historian and public speaker. The only known survivor of a lynching, Dr Cameron used his survival experience to provide visitors with a unique view of ‘living history’. Alongside this, he expanded the museum’s exhibits and employed staff, attracting local, national and international visitors. Unfortunately, the site closed following Dr Cameron’s passing in 2006 and the economic downturn of 2008. Since 2012 America’s Black Holocaust Museum has existed as a virtual museum. It seeks to educate the public of injustices suffered by people of African-American heritage, while providing visitors with an opportunity to rethink their assumptions about race and racism. It offers a range of online exhibitions, including one about the history of the museum, and another on the perpetuation of slavery through three centuries.

There are nine exhibitions available to be accessed within the virtual museum, seven of which are a chronological study of the history of Africans in America. All of them feature the museum’s four key themes: remembrance, resistance, redemption and reconciliation. Beginning with a view of life in Africa prior to enslavement, they end with an exhibition entitled ‘Now- Free at Last?’ which considers the experiences of African Americans from the 1980s up to the present day. In addition to the chronological displays, there are three special exhibitions, two of which are concerned with the victims of lynching. Within the website there are photographs, and images of objects, alongside suggestions of further reading material. There is also a section of relevant and important news articles. The virtual museum is a member of the international Coalition of Sites of Conscience, and the Association of African American Museums. The museum runs a programme of events and speakers, and is due to re-open in a physical building in Milwaukee during the Autumn of 2018.

Widely claimed to be the first museum in America to solely address slavery, the Whitney Plantation is a plantation estate, museum and memorial outside New Orleans, on Louisiana's famed River Road. During the eighteenth and nineteenth centuries, the plantation was home to the Haydel family, and their enslaved workers. The site was bought in 2000 by a retired lawyer, John Cummings, who funded the renovation and redevelopment of the site, which opened to the public as a museum in 2014. On arrival, visitors must join a guided tour to see the majority of the site, but the museum is open to all.

On the property visitors will find a range of exhibits, including the Mansion House, slave quarters, a blacksmith's shop and a Baptist church. There is also a 'Wall of Honour' which features the names of all those enslaved at the plantation, as taken from the site's archives. In addition, there is a sculpture installation created by American artist Woodrow Nash called 'The Children of Whitney,' that seeks to remind visitors that slavery affected children as well as adults.

The site houses a significant collection of artefacts too. These range from plantation tools and house furniture. There is even the largest collection of sugar kettles in the whole of Louisiana. Much of this collection has been purchased at auctions around the USA, in a bid to redisplay the site as it was during the antebellum period. There are three archaeological sites which also contribute collections of material linked to the lives of the enslaved themselves. All of this provides visitors with a unique perspective of plantation life, and helps to break down the ignorance still surrounding histories of American enslavement.

On the former site of a sugar factory, Guadelopue's Memorial ACTe stands as a cultural institution that aims to preserve the memory of those who suffered during slavery, as well as to act as a space for discussion on the continuing repercussions. Part of UNESCO's Slave Route project, its main focus is on the challenges of bondage in the Guadeloupe islands. Memorial ACTe was opened in 2015 by then French President, Francois Hollande, and nineteen other heads of state.

The Memorial ACTe is a unique museum, both internally and externally, through its architectural design. It is also a centre for live arts and debates. It aims to provide interpretation through a variety of viewpoints and disciplines, using not only history but ethnology, social anthropology and history of art as well. The history of slavery and the slave trade are explored through a range of archival material, images and artefacts, with visual and audio installations too.

The permanent exhibition space examines the history of slavery from antiquity to the present day, using objects, reconstructions, visual and audio installations and digital interactives. The temporary exhibition space focusses on contemporary forms of artistic expression in relation to slavery around the world. In addition, there is a research centre where visitors can look into their genealogy, as well as a library and a conference hall.