Uncomfortable Truths at the Victoria and Albert Museum sought to expose how embedded the transatlantic slave trade was within British culture during the 18th and 19th centuries through art and design. A series of five trails - 'Traces of the Trade' - explored the permanent collections on display through the following themes: Consuming the Black Atlantic, Black Servants in British Homes, Britain and the West Indies, Representing Slavery and Abolitionism, Gold and Slaves Transnational Trade Links. An exhibition of contemporary art examined the impact of the legacies of slavery on modern art and design. The Victoria and Albert Museum commissioned new works by Yinka Shonibare, Romauld Hazoume, Julien Sinzogan and Keith Piper. These and other contemporary interventions by a total of 11 artists were displayed throughout the museum. This exhibition later toured to Ferens Art Gallery in Hull.

The 'Truth and Rights' season of events highlighted often untold stories of Black British heroes, including focus on the actor Ira Aldridge. Visitors were also offered discussions, debates, displays and an eight week free art course. A two-day conference, 'From Cane Field to Tea Cup: The Impact of the Transatlantic Slave Trade on Art and Design' focused on V&A collections took place in February 2007.

The Whitworth Art Gallery was one of eight heritage bodies in the ‘Revealing Histories: Remembering Slavery’ partnership in Greater Manchester. The project set out to explore the history, impact and legacy of slavery on Britain through collections and community links in the North West.

'Trade and Empire: Remembering Slavery' explored the themes of trade and empire, commerce and collecting, and the impact of the experience of slavery and its legacy. Four invited artists and academics (SuAndi, Kevin Dalton-Johnson, Dr Emma Poulter and Dr Alan Rice) worked with Whitworth curators and learning staff to create the exhibition. It comprised of selections from the Whitworth's collections, contemporary works by Black artists, and objects on loan from Manchester Museum, John Rylands University Library Manchester, Bolton Museums and Archives Service and private collections. Areas of focus included a history of the Benin Bronzes, representations of Black people in British art, photographs of West Africa belonging to Tom Singleton Gardner, and printed textiles designed by Althea McNish. The exhibition was accompanied by a series of community engagement events.