In 1807 Britain legally abolished the slave trade, although it continued to participate in and profit from the institution of slavery. In 2007 the British government committed public funds to mark the bicentenary of the Slave Trade Act. The Remembering 1807 project has collected and archived material relating to the many events and activities that took place during 2007. These records help us to locate and understand the place of slavery, the slave trade and its abolition in the UK’s public history, commemorative traditions and popular memory. Background to the collection...
'Freedom and Culture' was a year-long nationwide programme to mark the bicentenary, conceived by Baroness Lola Young of Cultural Brokers (London) and Dr Nima Poowaya-Smith of Alchemy (based in Leeds). In partnership with artists, activists and cultural commentators, the programme explored the…
A replica of the nineteenth-century slave ship Amistad visited Liverpool, Bristol and London as part of the Atlantic Freedom Tour in 2007-2008. The ship set sail from its home port of New Haven, Connecticut, on a 16-month 14,000 mile transatlantic voyage to retrace the slave industry triangle. The…
An exhibition to mark the bicentenary was developed by Enfield Museum Service in partnership with the British Museum and Enfield Racial Equality Council. The exhibition looked at West African culture, the development of the local African community, the links between the transatlantic slave trade and…
The Southwark 2007 & Beyond Steering Group was established to correct perceived misinformation about Britain's role in perpetuating slavery, and to promote education and dialogue on anti-slavery resistance and human rights. The Steering Committee was composed of representatives from Southwark's…
The Freedom Sculpture was conceived by Mary Thompson, a teacher at Dog Kennel Hill Primary School in East Dulwich, as a way for the school to mark the bicentenary. Year 6 pupils worked with Kevin Boys, a blacksmith from Surrey Docks City Farm, to translate their ideas of freedom into a visual image.…
Midnight Robbers was exhibited at City Hall, London in 2007 and the Ohio State University Urban Art Space in 2008. The exhibition explored the historic context of Notting Hill Carnival and examined the Carnival art form. The London exhibition also marked the bicentenary of the Abolition Act.…
To mark the bicentenary, Manifesta (a not for profit company delivering projects addressing cultural diversity) and the Runnymede Trust (an independent policy research organisation focusing on equality and justice) joined forces to launch a youth and digital media initiative, Video ART (Anti-Racist…
Eastside Community Heritage worked with young people from West Ham and Stratford to explore the significance of the bicentenary within the context of their own history in London and in British history more widely. The Road to Freedom project was devised by the young people themselves, who gathered…
Curated by artist Kimathi Donkor, and first exhibited at London’s Elspeth Kyle Gallery, Hawkins & Co referred to the Elizabethan mariner Sir John Hawkins, whose 16th century voyages to Africa and the Caribbean pioneered the British slave trade. In 2008, an expanded version of the project,…
This photographic exhibition focused on human trafficking was produced by a partnership of Panos Pictures, Anti-Slavery International, Amnesty International, Eaves and UNICEF. Photographer Karen Robinson’s portraits and tales of women trafficked into prostitution explore the devastating impact on…
After 1825, on leaving Parliament, William Wilberforce retired to Hendon Park in Mill Hill, North London, and during his retirement built a chapel on his estate, now St. Paul's Church. St. Paul's organised a programme of events in 2007 to mark the bicentenary, including concerts by The London…
The year-long programme of commemorative events from Camden Council was put together in consultation with the 1807-2007 Taskforce of local African and Caribbean community leaders. The key to these events was remembering slavery through the resistance of Africans, their celebration in their…
Dark Heritage from Bee Arts Community Interest Company comprised The DARK, a sonic art installation, and accompanying participatory educational activities. The DARK touring installation is a pitch black space designed to bring home the horrors of the transatlantic slave trade in the 18th century.…
An exhibition at Bruce Castle Museum (in partnership with Euroart Studios) explored the transatlantic slave trade, Haringey's heritage relating to the trade and its legacy, and the historic Black presence in the borough from the 16th century onwards. There was a particular focus on the painting of…
Gilt of Cain was unveiled by the Archbishop Emeritus Desmond Tutu in Fen Court, City of London, in September 2008. The artwork, a collaboration by sculptor Michael Visocchi and poet Lemn Sissay, commemorates the abolition of the transatlantic slave trade. The granite sculpture is composed of a group…