Collection
Date
Location
Type
16 results
Remembering 1807
In 1807 Britain legally abolished the slave trade, although it continued to participate in and profit from the institution of slavery. In 2007 the British government committed public funds to mark the bicentenary of the Slave Trade Act. The Remembering 1807 project has collected and archived material relating to the many events and activities that took place during 2007. These records help us to locate and understand the place of slavery, the slave trade and its abolition in the UK’s public history, commemorative traditions and popular memory. Background to the collection...
Freedom and Culture 2007
'Freedom and Culture' was a year-long nationwide programme to mark the bicentenary, conceived by Baroness Lola Young of Cultural Brokers (London) and Dr Nima Poowaya-Smith of Alchemy (based in Leeds). In partnership with artists, activists and cultural commentators, the programme explored the…
Parallel Views: Black History in Richmond
The Parallel Views exhibition and its associated community engagement programme explored the relevance of the bicentenary for communities in the London Borough of Richmond upon Thames, uncovering local associations with slavery and its abolition. It also told the parallel story of twin town…
Blue Earth 1807-2007
The sculpture Blue Earth 1807-2007 by African artist Taslim Martin was permanently installed in the newly updated African Worlds Gallery at the Horniman Museum in 2007, to mark the bicentenary. The large iron globe, inscribed with the 18th century image of the slave ship Brookes, traces the routes…
The Freedom Sculpture
The Freedom Sculpture was conceived by Mary Thompson, a teacher at Dog Kennel Hill Primary School in East Dulwich, as a way for the school to mark the bicentenary. Year 6 pupils worked with Kevin Boys, a blacksmith from Surrey Docks City Farm, to translate their ideas of freedom into a visual image.…
Stolen Sanity
In 2007 the artist Faisal Abdu'Allah was commissioned by Tate Britain to work collaboratively with a group of young people from Park High School in Harrow and St George's Roman Catholic School in Westminster to explore ideas related to the commemoration of the 1807 Abolition Act. The group engaged…
For Love of Sugar
Commissioned by 2007's City of London Festival, artist Satch Hoyt created several sculptures made only of sugar. In St Paul's Cathedral, life-sized portraits of influential black figures - including Olaudah Equiano, Ignatius Sancho and Mary Seacole - were made of painted sugar cubes. Hoyt also…
Hawkins & Co
Curated by artist Kimathi Donkor, and first exhibited at London’s Elspeth Kyle Gallery, Hawkins & Co referred to the Elizabethan mariner Sir John Hawkins, whose 16th century voyages to Africa and the Caribbean pioneered the British slave trade. In 2008, an expanded version of the project,…
Uncomfortable Truths
Uncomfortable Truths at the Victoria and Albert Museum sought to expose how embedded the transatlantic slave trade was within British culture during the 18th and 19th centuries through art and design. A series of five trails - 'Traces of the Trade' - explored the permanent collections on display…
La Bouche du Roi
La Bouche du Roi was created by artist Romauld Hazoumé, who lives and work in the Republic of Benin, West Africa. The multi-media artwork is named after a place on the coast of Benin from where enslaved Africans were transported. It comprised 304 plastic petrol can 'masks', each representing a…
Abolition
Abolition was an art project devised and led by artist Jack Brown, in collaboration with Tidemill Primary School in Deptford. It took place during Black History Month 2007, and aimed to commemorate the abolition of the transatlantic slave trade while recognising the existence of modern day slavery.…
Dark Heritage
Dark Heritage from Bee Arts Community Interest Company comprised The DARK, a sonic art installation, and accompanying participatory educational activities. The DARK touring installation is a pitch black space designed to bring home the horrors of the transatlantic slave trade in the 18th century.…
Story Interrupted
Story Interrupted was an exhibition of jewellery and ceramics by visual orator Akosua Bambara at Bruce Castle Museum. Each piece was created in memory of African people who suffered and died in enslavement.
Scratch the Surface
Scratch the Surface at the National Gallery brought together two portraits, Johann Zoffany's 'Mrs Oswald' (1763-4) and Sir Joshua Reynolds's 'Colonel Tarleton' (1782), to explore the complex relationship between these sitters and slavery. Colonel Tarleton, as MP for Liverpool in the 1790s, argued in…
Response of Jacqueline and Sonia Brooks
As descendants of enslaved Africans, Jacqueline and Sonia Brooks expressed their own independent responses to the bicentenary. Jacqueline designed a limited edition postcard to display the horrors of a slave ship. Sonia wrote the poem Amazing Trade, which was performed during the National Maritime…
House Slave - Field Slave: A Portrait of Contemporary Slavery
'House Slave - Field Slave: A Portrait of Contemporary Slavery' was created in 2007 by Nicola Green in collaboration with Anti-Slavery International and first exhibited at Dulwich Picture Gallery. The artwork explored the concept of contemporary slavery and the stories of those still enslaved. The…
Gilt of Cain
Gilt of Cain was unveiled by the Archbishop Emeritus Desmond Tutu in Fen Court, City of London, in September 2008. The artwork, a collaboration by sculptor Michael Visocchi and poet Lemn Sissay, commemorates the abolition of the transatlantic slave trade. The granite sculpture is composed of a group…